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AIList Digest Volume 2 Issue 040

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AIList Digest
 · 15 Nov 2023

AIList Digest            Tuesday, 3 Apr 1984       Volume 2 : Issue 40 

Today's Topics:
Lingistics - "And" and Ellipsis,
Msc - Notes From a Talk by Alan Kay,
Seminar - Stereo Vision for Robots
----------------------------------------------------------------------

Date: 30 Mar 84 16:05 EST
From: Denber.wbst@PARC-MAXC.ARPA
Subject: Re: Use of 'and'

""all customers in Ohio and Indiana". Of course, no customer can be in
both states at once; the question should have been phrased as ".. Ohio
*or* Indiana""

Well, this is actually a case of ellipsis. "Or" has its own problems.
What is really meant is "all customers in Ohio and [all customers in]
Indiana". Happens all the time. Looked at this briefly at the U of R
before I was elided myself. I don't have my references here. Some work
at Toronto (?) Perhaps Gary the Dog Modeller can say more.

- Michel
Speaker to Silicon

------------------------------

Date: Sat, 31 Mar 84 8:22:26 EST
From: Andrew Malis <malis@BBN-UNIX>
Subject: Notes from a talk by Alan Kay (long message)

[Forwarded from the Info-Atari list by Tyson@SRI-AI.]

Date: 23 Mar 1984 1214-EST (Friday)
From: mit-athena!dm@mit-eddie (Dave Mankins )
Subject: Notes from talk by Alan Kay at MIT

Dr. Alan Kay, one of the developers of Smalltalk and the Xerox Alto, and
currently a Vice President and Chief Scientist at Atari, gave a talk at
MIT yesterday (22 March 1984) titled: "Too many smart people: a personal
view of design in the computer field"

The abstract:

This talk is about the battle between Form and Content in Design and
why "being smart" usually causes content to lose. "Insightful
laziness" is better because (1) it takes maximum advantage of others
work and (2) it encourages "rotating" the problem into its simplest
essence -- often by changing it completely. In other words: Point
of view is worth 80 IQ points!

Here are some tidbits gleaned from my notes:

One of the problems with smart people is that they deal with
difficulties by fixing them, rather than taking the difficulty as a
symptom of a flaw in the design, and noticing "a rotation into a new
simplicity."

When preparing his talk he realized that what he wanted to say was
basically inconsistent, that

1) You should do things over, and
2) You shouldn't do things over.

"Both of these are true as long as you get the boundary conditions
right." (There ensues an anecdote about working with Seymour Cray to
get an early CDC6500 up at NCAR. The 6500 hardware did not normalize
its floating point operations, but that was "okay" because "any sensible
model will converge". When the NCAR meteorologists (who answer the
question "what will the weather be like?" by looking out the window)
tried to put their models up on the CDC6500, they didn't work. They
insisted that the Fortran compiler do the normalization for them. Kay
cited this as evidence that their model was wrong. Hmph, it's easy to
make fun of meteorologists...)

Kay cited Minsky's Turing award lecture, in the Apr. 1970 JACM (or maybe
CACM, I didn't catch it): "Form and content aren't enough." What has
happened to the computer science field over the last twenty years is
myopia: "a myopia so acute that only the very brilliant can achieve
it."

As an example of this, Kay cited the decline from the STS940 in 1965 to
UNIX ("a mere shadow of what an operating system should be") to CPM. The
myopia in question is best illustrated by a failure of Kay's own: "When
we got our first IMSAI (mumble) we put Smalltalk up on it. We had to do
a lot of machine coding on it, and we thought that wasn't right. And it
performed about as well as BASIC does today. We said 'This is clearly
inadequate. What we need is 2Mb of memory and a fast disk.' Thus we
left the door open for BASIC to crawl back out of its crypt."

He should be lynched. At least he realizes the error of his ways.

He cited an article by Vannevar Bush, in a 1945 Atlantic Monthly,
titled, "As we may think", in which Bush described a multi-screened,
pointer-based system with access to the world's libraries, drawing
programs, etc. Bush, of course, thought it was just a few years away
(he called it "Memex").

He alluded to Minsky's notion of "science-envy": Natural scientists look
at the universe and discover its laws. Computer scientists make up
their universes. "What we do is more like an art." "You can judge
whether or not a field is overcome by science-envy if it sticks the word
'science' into its name: 'computer science', 'cognitive science',
'political science'..."

He talked about some of his early work, with Ed Teitel, developing an
early personal computer (ca. 1965) calligraphic display with a pointer.
It had "a wonderful language I developed, influenced by Sutherland's
Sketchpad (the best thesis ever done in computer science) and
Simula--everything I've ever done has been influenced by Sketchpad and
Simula). Everyone who tried to use it hated it. They all had about the
same reaction to it that everyone has to APL today." Shortly after
working on this he saw Papert's work with LOGO and children, and
resolved that everything he did from that day forth would be
programmable by children.

Part of the machine's problem stemmed from the fact that it didn't have
enough memory. This in turn stems from the fact that we cast hardware
in concrete before we know what we're going to do with it.

Some relevant maxims from my notes:

"Hardware is software crysallized early."
"We shouldn't try to build a supercomputer until we have something
to compute."

His point in these two maxims was, I think, that we're very good at
building hardware before we really know what we're going to do with it
(is there a lesson here for Project Athena with its tons of Ethernetted
VAXes "which will be used for undergraduate education" but a lack of
vision when it comes to educational software?)

He then described the Dynabook: a note-book sized interactive computer,
with about the same kind of interface as a notebook: you can doodle with
it, scribble, but it can also peruse the whole Library of Congress, as
well as past doodles. "So portable you can carry something else, too."
[For a more complete description of Dynabook, see ``Fanatic Life and
Symbolic Death among the Computer Bums'', in "Two Cybernetic Frontiers"
by Stewart Brand.]

[An aside: one of the proposed forms of the Dynabook was a Walkman with
eyeglass flat-screen stereoptic displays (real 3-d complete with hidden
surfaces!). This was punted because "no one would want to put something
on their head." (Times change.) Kay asserted that such displays ought
to be easier to produce than a note-book sized display, since there
would be fewer picture-elements required (a notebook would require maybe
1.5M pixels, while "the human eye can resolve only 140,000 points, so
you'd only have to put 140,000 pixels into your eyeglasses". The flaw
in this argument is that most of those points the eye can resolve are in
the fovea, and you would have to put foveal-resolution over the entire
field of the glasses, meaning, more pixels. This is the opposite of
window-oriented displays. Instead of a cluttered desk you have an
orderly bulletin-board: just display everything at once, the user
can look around the room at all the stuff. If this room isn't enough
you can walk into the next room and look at more stuff.]

More maxims:
"Great ideas are better than good ones because they both take about
the same amount of time to develop and the great ideas aren't
obsolete when you're done."

An observation:
"In all the years that we had the Altos no one at Xerox ever
designed anything by starting with a drawing on an Alto. They
always started with a sketch on the back of an envelope."
Nicholas Negroponte and the Architecture Machine (ArcMac) group
did the only study of what sketching is and what really is going
on when you sketch in 1970 in a project called "Architecture by
yourself" but their funding dried up and no one remembers that
stuff now.

[An aside: the Macintosh's MacPaint program is the best drawing
program that Kay has ever seen. (The Macintosh people called him
up one day and said, "Come on over, we have a present for you.")
When he started playing with it he had a two-fold reaction:
"Finally", and "Why did it take 12 years?"]

Homage was paid to the Burroughs B5000, a computer developed in 1961:

It's operating system was entirely written in a higher level
language (ALGOL)
It had hardware protection (which was later recognized to be
a capability protection system)
It had an object-oriented virtual memory system
It had virtual data
(any data reference could have a procedure attached to it for
fetching and storing the real data--a bit was set as to which
side of the assignment statement it went on)
It was a multiprocessor (it had two processors, and much of the
protection scheme was built in order to allow the two processors
to work together).
It had an integrated stack (which, sadly, is the only thing that
people seem to remember).

"This was twenty years ago! What happened, people?"

The B5000 had some flaws:
The virtual data wasn't done right
there were too many architectural assumptions about physical data
formats
"Char mode: which eliminated all the protections." This was
provided to let programmers used to the 1401 (I think) be
comfortable.

User interface observations:

Piaget's three stages of development:

Doing ----> Images -----> Symbols

doing: "a hole is to dig"
images: "getting the answer wrong in the water glass experiment"
symbols: "so we can say things that aren't true"

Brunner did a study that indicated these weren't stages, they were three
areas conflicting for dominance--as we mature, symbols begin to win out.

Ha...man did a study of inventiveness and creativity among
mathematicians and discovered that most mathematicians do their work
imagistically, very few of them work by manipulating symbols. Some
mathematicians (notably Einstein) actually have a kinesthetic ability to
FEEL the spaces they are dealing with.

From psychology comes a principle applicable to user interfaces:

Kay's law: Doing with Images generates Symbols.

He cites Papert's "Mindstorms", where Papert describes programming a
computer to draw a circle. A high school student, working with BASIC
would have before her the dubious assertion that a circle and
x**2+y**2=C are related. A child, instructed to "play turtle" will
close her eyes while walking in a circle and say "I move forward a
little, then I turn a little, and I keep doing that until I make a
circle". This is how a differential geometer views a circle. Papert's
whole book is an illustration of Kay's Law.

User interface maxims:
Immediacy
What you see is what you get (WYSIWYG)
Modeless
Always be able to start a new command without having to clean up
after the old one.
Generic
What works in one place works in another
User illusion
User's make models of what goes on inside the machine. Make the
system in which most of the user's guesses are valid. Not "some
of the time it's wonderful, but most of the time you get
surprised."
Communicative
He drew the distinction between reactive systems and interactive
systems. All his systems have been reactive--you would do
something, and the system would react, opening up new
possibilities.
Undoability
Even if it doesn't do much, if you never lose a character, your
users will be happy.
Functional
"What will it do without user programming."

He didn't used to think this was a user interface issue until he
saw the STAR, which has the world's best user interface, except
that it doesn't DO anything. Not many people can affort a 17000
coffee-warmer.
Fun
One should be able to fool around with no goal. A user
interface should be like Disneyland

"Language is an extension of gestures--you're not really trying to say
something, you're really trying to point to something that is in someone
else's head. A good mime can convey a message without a single word."

A model he encourages people to pursue is that of the AGENT. When you
go into a library, you don't expect an oracle, you expect someone who
knows how to find what you're looking for. It is much easier to make an
expert about the terrain of knowledge than an expert that can deal with
the knowledge itself.

He then played a videotape of a "telephone answering machine" being
developed by ArcMac (with funding from Atari). It listened to the
pattern of a person's speech (in order to figure out when the person was
pausing long enough to be politely interrupted) and then channelled the
conversation into a context (that of taking a message) that the machine
could deal with. It has a limited speech recognition ability, which
allows its owner to leave messages for other people:

Hello, this is Doug's telephone, Doug isn't in right now, can I tell
him who called?

Uh, Clem...

If you'd like to leave Doug a message, I can give it to him, otherwise
just hang up and I'll tell him you called.

Doug, I'm going to be in town next Tuesday and I'd like to get
together with you to discuss the Memory project....

Thank you, I'll tell him you called.

and

Hello, this is Doug's telephone, Doug isn't in right now, can I tell
him who called?

It's me...

Hi, Doug, you have three messages.

Who are they from?...

One is from UhClem, one is from Joe, and you have a mail message
from Bill about the Future Fair.

Tell me what UhClem has to say...

[The machine plays a recording of Clem's message]

Take a message for UhClem...

Recording.

Dinner next Tuesday is fine, how about Mary Chung's?

And so on. UhClem calls later, and the machine plays back the recording
of Doug's message.


POINT OF VIEW IS WORTH 80 IQ POINTS:

"A couple of years after Xerox punted the Alto, I met the people who
made that decision. They weren't dunces, as I had originally
supposed, they just didn't have the right point of view: they had no
criteria by which to tell the difference between an 8080 based word
processor and a personal computer."

------------------------------

Date: 2 Apr 1984 12:18 EST (Mon)
From: "Daniel S. Weld" <WELD%MIT-OZ@MIT-MC.ARPA>
Subject: Stereo Vision for Robots

[Forwarded from the MIT bboard by SASW@MIT-MC.]

Keith Nishihara -- "Stereo Vision for Robots"

AI Revolving Seminar
Wednesday, April 4 at 4:00pm 8th floor playroom

Recently we have begun, after a long interlude, to bring vision and
manipulation together at the MIT Artificial Intelligence Laboratory.
This endeavor has highlighted several engineering issues for vision:
noise tolerance, reliability, and speed. I will describe briefly
several mechanisms we have developed to deal with these problems in
binocular stereo, including a high speed pipelined convolver for
preprocessing images and an "unstructured light" technique for improving
signal quality. These optimizations, however, are not sufficient. A
closer examination of the problems encountered suggests that broader
interpretations of both the binocular stereo problem and of the
zero-crossing theory of Marr and Poggio are required.
In this talk, I will focus on the problem of making primitive surface
measurements; for example, to determine whether or not a specified
volume of space is occupied, to measure the range to a surface at an
indicated image location, or to determine the elevation gradient at that
position. In this framework we make a subtle but important shift from
the explicit use of zero-crossing contours (in band-pass filtered
images) as the elements matched between left and right images, to the
use of the signs between zero-crossings. With this change, we obtain a
simpler algorithm with a reduced sensitivity to noise and a more
predictable behavior. The PRISM system incorporates this algorithm with
the unstructured light technique and a high speed digital convolver. It
has been used successfully by others as a sensor in a path planning
system and a bin picking system.

------------------------------

End of AIList Digest
********************

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