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Interface Issue 06

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Interface
 · 26 Apr 2019

  

inter\face 6
Spring 1994


inter\face is:


Produced by HUB press at the University at Albany as an effort to
provide an open "forum" for the publication and distribution of
creative texts. We are open to and urge you to send comments,
suggestions, and creative contributions.

You may distribute this document freely for any non-commercial, non-profit
purpose. Please include the inter\face information along with any copies.
****************************************************************************
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============================================================================

Ken Sherwood
V001PXFU@UBVMS.BITNET
---------------------

To Dwell in Palisestic Interstices

Improvise right to
draw a word to form
a wall a well, to draft

to dwell
in hand position

to write right
prepositions

a scholarly proposal

a letter of credit

a statement of purpose


with prose that was,
technically :
scored
lucid as "lunar"


(Disclaimer: this is the
product of keyboard impoversation)


----------------------------------------------------------------

Hype Poetry

Virtual was being pursued
by verisimilitude
with veracity
very close on his heels
while verdad's
been vanquished
since anglo's victory over armada
third world weltshmertz
vatic's verklemft

such fpun with
plosives
drags like a Ru Paul hologram
So almost

Olson
operated the projection
a primitive
simulation
plane faked the flight
but the neck pained for sure

----------------------------------------------------------------------------


from RIF/t 1.1, a long computer variation/variorum on
a Kostelanetz text.... part of it vamps from:

aenas anus stuffy stiff hostliness ambiguity
wisdom death ambiguity wisdom death sign army
castrated ion eon awned seamy swam swami bluetongue
aussie assay ice annoys onyx

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

W V O M VARIATIONS
A E F R


________________


waves that SIMPLY

"an ocean of dreams within a sound"--Shelley

"Nature does not know extinction; all it knows is transformation."--Braun

"these sea green walls"--Screen

_________________


continual
air, fuel
wind, shaped by capable


INDUCING
AKIN to

BANISH a BEACH build
one the next
in the

ineluctable aspect of
present

some point

poet

weary upon the wideness of
endless

varied in form




blown scatter
pattern

dubbed technically
"sea" to the

immense

, the unquestioned
wavedom.





by undersides slides
capable of vast
entire

virtually

later,




spawned
waved

Yet destroy
so much denizens


waves are an multifaceted

portions of rich

for filter-feeding


KNOCK A LOOS-
ENED LIMPET into

center
unearth for a vig-
ilant
SURF PERCH.



Waves

mathematics of com-
plex, soon plunging
rigorous
volumes of

The language

simply a
poetics;

seems
mimic the sibi-
lance of
itself: surf,
swell, , spray, , SPINDRIFT
spume spill


whisperings: is

version of acou-
stic dub
"white noise,"


allegoric
mix

predict waves, base
complex
readings of
line structure

high-class
wave-work strat-

egic
assaults. heavy could
create




amateur specific
madden
gain

sequence--no
"seventh
always
devote
invariably

unaware

amid apparent
derive

Almost any wave strik-


combination of
numerous
, process

crests and TROUGHS


back onsea

:
sleeper waves




These leviathan

coincidence of various

Given their random isolate


contemplate the
,soothe

mull the swell.

=============================================================================

[ed. note: the following is a collaborative text created using a networked
computer system called Daedalus.]

purkinge 2/17/94
----------------

Purkinge fiber (pur kin jee): any of the specialized cardiac fibers forming a
network in the ventricular walls that conduct electric impulses responsible
for the contractions of the heart to all parts of the ventricular muscles

J.E. Purkinge (1787-1869), Czech phisiologist]




(meaning, the climax of, building)

dactylism

empirical tribe

webbed speech



1, numbered, 2, 3, 4

mother mother

under hollow
pages

cripes of anew

soggy balloon

sting in teeth

tube
retrotopia injection

lattice
overlays sky

molecular pinches

cuyo

spreading dynamism

oy yo a yo a yo yo

watercolor thoughts

turin shrouds

impending expansion

crease of air



ether proved deadly



turbine follows

weather expected

earthquakes

a choir sings

queries sky king
rex aeronaticus

notes were intervals of light

engine in the center
mantle beginning

increase of oceanic stew

angels revisit

proverbial skyward
bells
again

medicated goo between reptilian fingers



selling the book

the donut proved hollow
&
eaten absence was filled


[GRUNT]

never

the circle


a scoop of molten rock


con/frontation



the pasta of reason:

conflagulation of specifics

pure basil

brazil








peppermint terror

broken palimpsest rubbed out to show

wahzz

then grand

viral breathing c
ircus
ularit
ude

detuned

cascades

plumbing the artifactual skin
the resemblance of bells to knives

pianissimo
ssss shhhhhh

no differance

lend an organ the pipes, silent

keys of orange patience

living

tongue the best with reubens,
cheek on bread. sweetbreads, breakfast



the

the rind of most
soft parting of the horizon
to reveal a set of hexagonal mirrors

matador
youth of iniquity
anatomy of a lawn chair



&





without shearing

pop

unceasing

fur everywhere,
and blud

the woolen pages

the passed bowl gathering excuses
before the evening

cabinets
crustaceous curmudgeon

tilling

rejects

a head emerged, made of styrofoam and old
paper, breathing oil and green smoke

hurtle

dragonage

conduit

the messerschmidts

maltesian

falling sky

pyramids, miniscule
screaming [blocks the ears]

yah

gulp

try to force it down

the agony of being buried alive



lucite
webbed like glass





TREE

ROCK

nuff nuff

cowboys poking round the wires

WATER
[things [sic] become predictable]

impatient funk,
tu

the round skyscraper

multiple free entries. Not valid in

throat singers

ma, ny, ut, va



the skin of screens
pertubed the notion of eye-site



yu yu, yu yu, unh



KISS THE HAIRY GORILLA












waiting for the small mammals
to get keyboards for fingers


Xhosa furnishings

on face





sweep

walk the walk
and explode



"the of word message..."

of granite

repeating with infinite recursion
in the imagination of halls (aesthetic)

unspecified









Deontic: trying to feel my hands.

Don't breathe

always


* * *

don't walk the providence

verbal organ

hun

quilted
software

rolled boxcars

dry wisk of the stage
the terrain a reproduction
of some commerce engine

the snake's eyes were maelstroms
slipping slippin slippi slipp slip sli sl s

yak lung

annoyed

medieval skyline: memory reamed from iron, wood,
blocks, brands burnt into the skin.

knighted noid


america's railroad (by chance)

node

fish

Rosicrucian express (1289): first automobile design

yappa yack yack

heads popping like dandelions

ruh ruh ruh rup

seeing you

Horkheimer

loss


==========================================================================

Paul Spirito
pspirito@math.upenn.EDU
-----------------------


"Defy the Sky"

It is too current to be detected. She dresses to be
tormented, but... It would have astonished him to know.
But you checked if she was interested, keeping your eyes
always wide, your finger on the thin chain.
Tim rounds on the lot of them. All was uniform... a
little dribble of spittle.
Did she see the darkness in your gun? Zar turns true to
his name. The one in tears, the other laughing a cool stream
-- sharp distinctions are unwilling to be made. Interesting,
ist es nicht, mein Freund?
The evolved one sighs, seeming very wall between them.
Can one blame Oedipus for his abyss?
Zar promises, Sorry, but... He indicates Tim. The
glistening praised his genuine enough virility, orders
continued more living elsewhere than in the mind.
Tim gleefully collapses. His voice, never clearer, mad
with failure, sabersharp and bloodscalded, carves its
message into our broken inheritance: Unashamed, it says, in
unbounded laughing breaths, I live in light.
Two step forward. One the Attorney, the other the
Knight. Tim's fear stands shimmering above his body,
beckoning. Zar wraps home long-term revenge. Perfect justice,
he can tell, will be altered by the new equilibrium. Hands
form shadows over hearts as he lies intricate involutions:

Unrelaxed

The chorus has died, and returning sleep
transcends the desire for anything.
An image, decked in memory, wanders the path
within herself: the path you have labored to create.

It is muddy, and her boots sink into the blank
soil between the orange trees. Gasping, the moon
dirties itself in a desperate attempt to hide.
Obedient, the orange trees all let fall.

A speaker moves to the podium, located
at the head of the path. The birds
have hidden in the trees, defenseless in their
nests, and await as audience.

You watch through a tragic window, far above
all of the other watchers, even the moon.
Dominion sits heavy on your eyelids,
small and immortal.

Now there is nothing, only an awakening. A broken song.
All is quiet. The dead things are gone.
There are no oranges on the trees, nor on the ground,
nor anywhere.

It did not thunder in the grove that evening.
There was only,
one with fire in her eyes.

Herself! the Attorney bows slightly, intently towards
Zar. Holy space and unholy time demand it.
Zar gathers his goads in for the evening. Such
distinctions refuse to be made -- space and time are one
chair in which you must sit. Damning, isn't it, my friends?
The evolved one cries, seeming melting glacier surround
them. Can one blame Agamemnon for his hard-on?
Zar permits, You --
You cannot defy the sky! screams Tim, rising, like hot
air; storming out, like a lyrical hurricane of love.
Moved, the Attorney and the Knight gather into each
others arms. They weep as they embrace, and they kiss,
tenderly. The evolved one is transported into heaven.
Zar fondles discreetly his knife. She was magnificent!
The timid ones must die.

============================================================================

Katie Yates
cy6440@rachel.albany.edu
------------------------


knew about an aftershock

knew about how to isolate

knew to approach

could offer a metaphor

to equal an overture

an opening

=============================================================================

Benjamin Henry
bh4781@rachel.albany.edu
------------------------

from: School Pictures: Portrait Production
------------------------------------------

October 31

devices are working but worthless,
combined in a compilation, a pile,
a towering monolith, a phallus,
a message to america of complication
and harmony in work and spending dollars

on air time, channeled through a tunnel underground
where workers plough through layers of lode
and lay wires to connect and separate those above,
way up above in the open air;

time rolled in negative layers, concern
for Friday's arrival and checks locked
at the back door constantly guarded,
and waiting on break, sitting with a stare
over heads and beyond resounding voices.

November 15

Scanning into eyes, almost ripped and fired
but long and accidental, wondering as washed.

Too late for patience wasted water
dripping faucet open blood wounds;
Ribs smothered sheets sticking covers wet and dirty.

But before warm or secure but hostile home warning
life worm boringblessed and superstitious.

Ambulance trucking wheat disintigrate farm for spreading
and factory plumage, feathers flown brown mud.

November 16

Washing saved skin scrubbed raw, wringing,
front door opening heard closed forgotten locked.

Half-naked, vulnerable, admitted:
strangeness in solidarity like radio conversation,
spotlights bare stage dusty waxed.

Sterile organized hidden comparison with
cold water left running and then dripping overnight
unnoticed, invisible, except for sound.

=============================================================================

end of inter\face 6. Thanks for reading.

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